Alison Armstrong and the Independent Creators Alliance FB group

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Roger Howarth, Alison Armstrong and Michael Easton last summer.

Alison Armstrong is a gifted author I met through online fan groups for Michael Easton, the General Hospital actor who inspired my vampire soap opera thriller Hope Dawns Eternal. Alison and I met in person at a GH fan event in New Jersey in 2014. This morning she’ll be meeting Michael and his GH buddy Roger Howarth at another event in New Jersey. Since I couldn’t afford the trip this time around, I sent Alison a copy of Hope Dawns Eternal in hopes that she can hand it to him directly, along with a letter and a couple of poems I hope he’ll enjoy.

Back on October 8, 2016, Alison and I both participated at an Indie Authors Day held at libraries nationwide. Soon after, at my request, she sent me the following post about the event:

Having attended an Indie Book Fair recently as an author, I learned some valuable information regarding marketing and distribution; however, the overall message of the advice left me feeling disheartened regarding the arbitrary standardization of the publishing industry and upset about the commoditization of the arts in general.  Instead of focusing on creativity and literary talent, the speakers at the book event emphasized orthodoxy in page design (justified text, avoidance of stylistic content-driven page and paragraph breaks, etc.) .

Although I support the importance of proper grammar and punctuation and feel that these aspects, along with originality in content, expression, and style, are essential in quality writing, I do not believe that standardization of font, margins, and other traditional publishing practices should be given such a high priority.  Nevertheless, despite the increasing numbers of indie authors, the publishing industry persists in perpetuating typographic conventions that are usually not used in Word or other common writing programs.  In so doing, the publishing industry imposes an arbitrary standard to differentiate between traditionally published and print-on-demand authors so that the “indie” writers may feel pressured into purchasing services to make their work appear more like traditional published materials, thereby making their work less independent, more restricted by financial concerns.   Along with the standardization of text format , book publishers seem to be promoting an increasingly conventional approach to cover design, resulting in a glut of covers featuring monotonously similar figurative clichés associated with the book’s genre,  such as the faceless torsos displayed like slabs of cosmetically enhanced meat on the covers of lurid romance novels.

The arts in general, especially in the United States, are generally viewed in a similar way as those hunky yet generic slabs of flesh, something to readily consume as entertainment or profit from.  Favoring the familiar, the already established, the tried and true moneymakers,  publishing companies, recording companies, and movie studios sign fewer new authors, musicians, and filmmakers.  The newbies and the “indies,” therefore, seek new ways of gaining exposure for their work.  However, as with the “indie” book fair example, even some resources and organizations presuming to work on behalf of the independent artists devalue certain aspects of individualistic expression.

Independent authors, musicians, artists and filmmakers represent a challenge to the financially-driven industries that struggle to maintain a monopoly on the arts by propagating lookalike, superficially pleasing but often substanceless clones. The literary renegades, such as William Burroughs and J. G. Ballard, the ravaged voices of Leonard Cohen and Patti Smith, these muses of rebellion and individuality epitomize the freedom, intensity, and expressive potential of the independent, creative spirit.  

Inspired by artists such as these, I have created the Independent Creators Alliance group on Facebook (https://www.facebook.com/groups/269464480120915/ ). I invite creators in any of the arts to join in solidarity, supporting each other and the ideal of artistic freedom. I envision this group as a place to express our ideas regarding the arts and integrity to our vision while connecting with other creative people. It can be a place to network, brainstorm ideas, share sources of inspiration, and collaborate perhaps on projects. In these rather depressing times, we need the arts more than ever to heal the soul.

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Alison Armstrong at Indie Book Fair last October.

Alison makes some provocative points that are deserving of further discussion. I’ve joined her Independent Creators Alliance group on Facebook, and I hope you will too. And by all means check out her books Revenance and Toxicosis, both available on Amazon. But don’t confuse her with the other Alison Armstrong, who writes books about how women can please and communicate better with men. That’s definitely the wrong Alison!

Donald, the cock of the walk: inside a twisted mind

Bashing Donald Trump is a popular pastime among the writers I know, especially the poets. Wondering what I could add to the flurry of fiery condemnations, I decided to try writing from the point of view of The Donald himself. As the author of mysteries and suspense novels, I love getting into the heads of my villains, including vampires and serial killers. But who knows what lurks deep in Donald’s twisted mind? What in his gene pool or his family history has made him the scary monster he is today? I have absolutely no idea, but here’s one possible take on the subject.

Donald the Bantam Rooster speaks his mind

It’s the Year of the Rooster—chinese-year-of-the-rooster

Melania just told me.

The Chinese New Year fell on January 28,

Just eight days after my coronation.

What’s that you say? Inauguration?

Big deal—what’s the difference?

Either way, I’m finally Emperor.

I’m cock of the walk—

I’ve got a lot to crow about.

This can’t be mere coincidence.

New Year, New America—

See, even the Chinese are bowing down to worship me.

They named the New Year after my sign.

Me, the Sun God. I like the sound of that.louis_xiv_of_france-by-rigaud

What’s that you say? Louis XIV used it first?

Wasn’t he the guy who built all those palaces

And filled them with gilded furniture?

I learned about him from Ivana

When we were furnishing Trump Tower

And Mar a Lago. Hey, that’s a good comparison,

Me and Louis, but my buildings are much bigger.

Besides, wasn’t he a scrawny little wimp?

I watched the Netflix series. Sad.

What’s that you say, Jared?

The Rooster’s not my sign? What is it then?

The Dog? You’re kidding, right?chinese-zodiac-dog-year-of-the-dog

Intelligent, honest, obedient, loyal?

No way! How dare the Chinese Zodiac slander me?

Maybe we should nuke them, whaddaya think?

Go ahead, make my day. Bomb them to oblivion.

No more “Made in China” clothes.

A trade bonanza!

What’s that you say? The Fire Dog,

Because of my Birth Year, 1946?

Same as Bill Clinton? Even worse.

That filthy horn dog, screwing all those

Tasty bitches while lying Hillary looks the other way.

Compared to mine, those bitches were skanky.

Remember Monica, that pathetic porker?

A five, and the others were eights or nines at most,

While mine are always tens.

Just look at my daughter Ivanka—donald-ivanka-trump

No, don’t, on second thought.

If Jared could read my mind, he’d kill me.

What’s that you say, Jared?

I’m only kidding. Can’t you take a joke?

What’s that you say?

The Year of the Rooster is especially bad luck

For those born in the Year of the Dog?  

What utter crap! I don’t believe a word you say.

The truth is always lies.

Matter of fact, you’re fired!

I wrote this poem three hours before last Monday’s Poets Speak Loud, the monthly open mic at McGeary’s Tavern in Albany. Thanks to Mary Panza, Dan Wilcox, and Thom Job of Albany Poets, who have kept this event going over the past ten years. The deadline is always a powerful incentive, especially since I know my work will be met with applause and (when appropriate) laughter.

The poem went over well, so I read it again last night at a private party for poets and their significant others. Once again it met with hilarity. Afterwards, people told me it was refreshing to hear something about Trump that was actually more funny than terrifying. One woman told me I’d be great on television. Hmmm…is YouTube in my future? Maybe, if it will help me sell more books.

Inauguration Day as a red-carpet awards show

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Meryl Streep giving anti-Trump speech at Golden Globes

I’m a sucker for awards shows. I watch the Oscars, the Grammys, the Emmys, the Country Music Awards—even the Tonys, although I’m usually unfamiliar with the shows because I can’t afford the price of a Broadway ticket. The Golden Globes are my favorite, because the movie stars are seated around circular tables and have access to an open bar, which leads to some occasionally bizarre unscripted moments—along with some scripted ones, like Meryl Streep’s eloquent speech this year.

Donald J. Trump’s inauguration kept me glued to the television screen for over seven

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Michelle Obama in Jason Wu

hours yesterday—eight if you count ABC’s coverage of the inaugural balls. In many ways, the day reminded me of those awards shows, especially in the morning coverage of the political celebrities alighting at the Capitol and making their way through the marble corridors and eventually to their assigned seats for the inauguration. It was the Washington equivalent of the Hollywood red carpet, except that the famous folk didn’t stop for reporters’ questions or photo ops. There were some memorable fashion statements, though, as in the photos I’m including here.

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Melania Trump in Ralph Lauren

I blocked out the entire day on my calendar, even opted to skip my Friday morning Nia class at the YMCA, because I didn’t want to miss this historic transfer of power. I’ve watched memorable inaugurations in the past. In 1993, I was running a home care agency, ElderSource Inc., in New Paltz, New York. We specialized in round-the-clock live-in care, and though I was founder and president of my little business, I frequently ferried our aides to and from their assignments.

On the day of Bill Clinton’s inauguration, I had come to pick up one of our wonderful Jamaican aides from her assignment in Kingston and drive her to the Metro North station in Poughkeepsie so she could catch the train back to New York City. We had some time to spare, so along with our client, we watched part of Clinton’s inauguration. Avis and I were so moved that we embraced and cried happy tears as we watched the swearing in.

Years later, during Obama’s first inauguration in 2009, I was babysitting my younger granddaughter in Woodstock. She was far too young to understand what was happening on TV, but I remember sitting on the floor, cradling her in my arms as I watched the historic swearing-in of our first African American president.

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Hillary in Ralph Lauren, with Bill. She put on her public smile, but the cameras caught her earlier looking devastated and depressed.

This inauguration was different. I was a fervent Hillary supporter. I heard both her and Trump when they held rallies in Albany during the New York primaries. When she was First Lady, I’d glimpsed her through the smoked glass of a limo as she and Bill sped through New Paltz, then heard her speak at a political breakfast in Kingston. When she published her first memoir, I stood in line to get her autograph at the Book House in Albany.

Like most of my friends, I was dismayed when Trump won. Unlike most of them, I refuse to catastrophize about it, and I’m willing to cut him some slack and hope for the best. Nevertheless, I planned to spend the day watching the inauguration while drowning my sorrows in cheap Chablis from a box. Strangely enough, that never happened. I found myself caught up in the spectacle of the peaceful transition of power from one administration to the next, the gracious way the Obamas passed the trapping of power to the Trumps, the way presidents from opposing parties sat peaceably together to witness the swearing-in ceremony.

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Trump Tower atrium in early days

Until he ran for President, I confess I rather liked Donald Trump. I occasionally watched The Apprentice, then The Celebrity Apprentice. When I visited Manhattan to visit the museums and the midtown galleries in the 80’s and 90’s, I often stopped in at Trump Tower to ride the escalators up and down, ogle the waterfall and the gorgeous orangey marble walls, and browse the luxury boutiques. Then I’d sit at a table in the lobby for coffee or a cocktail, enjoying the sensation of partaking in the over-the-top opulence and luxury. Politically incorrect, perhaps, but in those days, I never associated Trump with politics. Probably, neither did he.

In a couple of hours, I plan to march in Albany in solidarity with millions of women—and men too, including my husband—throughout the country. Now, more than ever, we need to stand strong for women’s rights, along with many other human rights and environmental issues that will come under attack with the new administration. But I refuse to succumb to fear, anger or despair. Life’s too short. To paraphrase John Lennon and Yoko Ono, All I am saying, is give Trump a chance. And pray to the Higher Power of your choice.

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Trump Tower in January, 2017

Paranoid schizophrenics I’ve known

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Esteban Santiago in custody

Esteban Santiago, the lone gunman who killed five innocent strangers and wounded six more at the Fort Lauderdale airport on January 6th, had sought help from the government in November. He walked into an FBI office in Anchorage, Alaska, claiming that the U.S. government was controlling his mind and forcing him to watch Islamic State videos. Agents called police and he was taken for a mental health evaluation, but he didn’t appear intent on harming anyone, so he slipped through the cracks in the system. Two months later, he officially became a murderer.

His delusional claims brought back memories of my years working on locked wards with seriously ill patients at Hudson River Psychiatric Center in Poughkeepsie. With my hard-earned master’s degree in art therapy from New York University, I was embarking on my first full-time job in mental health, and I was especially fascinated by the elaborate delusions of those diagnosed as paranoid schizophrenic. The men on Ward 604 ranged in age from their late teens to early middle age and they were on the maximum-security ward because they were considered a danger to themselves or others. Some were assaultive, others had prison records, and there were a couple of murderers.

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Abandoned Rehab Center at HRPC. I led an evening Creative Arts Club here for those allowed to leave the wards.

This was the 1980’s, and like many state mental hospitals across the country, Hudson River was rapidly being downsized as patients were discharged into the community, presumably to be managed through outpatient services and medication. But some were deemed too dangerous for discharge, and others cycled in and out through the system’s revolving doors.

Some of the paranoid schizophrenics believed they took their orders from God or the government, while a few believed they actually were God or at least Jesus. One young man believed he had turned into a woman and had sex with John Lennon. (This was in early 1980, before John was brutally murdered.) I couldn’t resist replying, in my best nonjudgmental therapeutic manner, “Oh, do you want to tell me about that? What was it like?” Unfortunately I can’t recall his reply.

I encouraged the patients to get their visions down on paper, with pencils or paint, and to talk or write about what the images meant to them. As an art therapist, I’d been trained not to impose my own interpretations aloud, but I’d learned to analyze the pathologies revealed by their artwork, to record them in progress notes and to report disturbing content to their shrinks and treatment teams. Often the imagery was violent, replete with swords, guns, blood and dismemberment. Yet not once did a patient assault me or even verbally threaten me. I was their ally, there to foster their creativity and self-expression, not to impose controls on them.

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Abandoned day room, Cheney Building, HRPC–much like the one where I held art therapy sessions

Hudson River closed years ago, and I’ve often wondered what became of those patients who were incapable of adjusting to life in the community. Like thousands of others, many probably ended up in prison, homeless or dead. Deinstitutionalization hasn’t been the panacea it was touted as being, and there aren’t enough affordable community mental health services to go around.

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Esteban Santiago in Iraq

Esteban Santiago was receiving psychological treatment in Alaska, but his family wasn’t privy to the details. Clearly it wasn’t enough, but maybe nothing could have stopped his deadly rampage. Since he surrendered and survived, maybe he’ll be able to shed some light on his actions.

Two days after the shooting, I began this blog post as a potential op ed piece for the Albany Times Union, but then I realized that my viewpoint wasn’t sufficiently clear, so I put it aside. A day after that, the TU introduced a new, reduced format, with certain features shortened or omitted. The two Perspective pages, with their generous space for columns, both national and local, went on the chopping block. Now they might not have space for my essay in any event, so I decided to post it here. Since I’m no longer limited to 600 words, I can be a bit more freewheeling—if I were aiming for publication in the TU, I wouldn’t have mentioned the patient who believed he’d fucked John Lennon.

I have mixed emotions about hospitalization for the mentally ill, especially those who are truly a danger to themselves or others. Deinstitutionalization was supposed to be a good thing, and those enormous old hospitals were portrayed in the public eye as hideous snake pits. But Hudson River Psychiatric Center was a fairly benign and yes, therapeutic environment. If it weren’t, I could never have worked there for 13 years, enough to get me vested in the New York State retirement system that helps sustain me now.

The patients at Hudson River inspired me to embark on my first novel, then titled The Flip Side. It was good enough to win me some personalized and encouraging rejection letters, and eventually a good agent in Manhattan, but alas, she never sold it. It remains unpublished, but who knows, I may resurrect it one of these days.

Meanwhile, I sometimes wonder what became of those fascinating guys on Ward 604. Did they eventually get discharged and adjust to life in the community? More likely they died young or landed in prison.

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Main building at HRPC burning in May, 2007

David Bowie memories a year after his death

Bowie Ziggy tights

Bowie as Ziggy Stardust

I published this tribute to David Bowie on January 19, 2016. Now, on the first anniversary of his death on January 10, I feel it’s appropriate to print it again. Now more than ever, we need his otherworldly vision for our planet and for America in particular.

David Bowie was the star at the center of my musical universe in the early ‘70’s, in his Ziggy Stardust heyday. Alas, I never met him, but we were within one degree of separation when Cherry Vanilla and others in his inner circle came to see my Bowie painting inside my geodesic dome in the Erotic Garden show at the Women’s Interart Center in Manhattan. But more on that later.

The morning after he died, when I cranked up my car after leaving my Nia class at the YMCA, the radio was tuned to WEXT, the alternative rock station. They were playing “Rebel Rebel,” and I happily sang along. When the announcer KTG came on, she talked about how she’d loved Bowie’s music as a young child, and how her mother played it to help her learn to dance.  “I wish I could play his music all day,” she said in her typically pert, cheery voice. Then she said “We’ve lost a brilliant, innovative artist.”

Bowie Aladdin Sane cover

Lost? The word sounded ominous. I drove straight home, booted up my computer and brought up the Drudge Report. A photo of David in his Aladdin Sane makeup topped the page, with the stark black headline BOWIE DEAD. He had died Sunday, January 10th, after an 18-month struggle with cancer, which he’d concealed from all but his closest family and friends. He’d turned 69 only two days before, and had released his new album Black Star the same day. In December, his new musical Lazarus opened off-Broadway. Both the album and the musical garnered rave reviews.

I was eerily reminded of the morning I learned of John Lennon’s death in 1980. I pulled out of my driveway in New Paltz, headed to work at Hudson River Psychiatric Center, and heard John’s music on Woodstock’s alternative rock station, WDST. They played one cut, then another, and I sang along, but then the announcer came on to announce John had been murdered the night before. I’ll always remember exactly where I was when I heard the news, just as I’ll remember where I was when I learned of the assassinations of JFK and RFK, and I’m sure the news of Bowie’s death will imbed itself in my brain along with the memories of those other fallen heroes.

But Bowie’s death was different. Tragic, yes, but he’d given us nearly five decades of brilliantly innovative music. His 25th studio album, Blackstar, was released on his birthday, just two days before he died, along with two videos. The jazz musicians he recorded with had no idea he was terminally ill, according to his long-time producer Tony Visconti, who was one of the few he confided in. Last night I watched the videos for “Black Star” and “Lazarus.” They were both fantastically imaginative but deeply disquieting. “Lazarus” is a brilliant piece of performance art, where he repeatedly rises from his hospital bed and moves his body spasmodically, like an avant garde dancer.

After that I segued into videos from his Ziggy Stardust period, and the memories came flooding back. I was at Radio City Music Hall on Valentine’s Day, 1973, when he performed as Ziggy, and I made it down the aisle and snapped photos with my Pentax. Available light, no flash, black and white, and when I developed them in the photography studio down the street from my Prince Street loft, they were fuzzy but good enough to use as source material for the paintings inside the geodesic dome I showed that spring in the Erotic Garden exhibit that featured a dozen feminist artists.

Lomoe-WombDome

I phoned Mainman, Bowie’s management company, to invite them—and hopefully David himself—to the show, and a couple of them actually came, including Cherry Vanilla, who casually bragged “I’ve had him.” They loved my Womb Dome and said they’d encourage him to come see it. Maybe he actually did—I never knew.

When the Erotic Garden show was over, I reassembled the dome in my Prince Street loft for a guest room, complete with a double-size mattress. That same fall, when I met my husband-to-be at Max’s Kansas City, I was wearing the same pink and pastel outfit I’d worn for the Erotic Garden opening six months before, with the same Pentax camera slung around my neck. “I see you’ve got a Pentax,” he said. “I’m writing a book about Pentax.”

Bowie Iggy & Lou Reed 1972 London

David Bowie, Iggy Pop and Lou Reed in London, 1972

A month later, we were living together, both ready to leave the wild lifestyle of the early 70’s behind. But it’s highly likely our daughter was conceived in that dome, under my paintings of David Bowie as Ziggy Stardust and Iggy Pop crouching in broken glass, singing “I want to be your dog.” Perhaps that’s one reason she and my granddaughters are such avid fans of the Starman. Another is the final time I heard David Bowie live, in 1997, when I brought Stacey, then 21, to the GQ awards, where he did an entire set following the presentations. The venue once again was Radio City Music Hall.

Stacey said it best in a recent Facebook exchange: David Bowie has had a transformational impact on three generations of Lomoe women. Long may his legacy live.

David Bowie performs as Ziggy Stardust

Emily Hanlon’s Ten New Year’s Resolutions for the Fiction Writer

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Emily Hanlon

Emily Hanlon posted these New Year’s resolutions for fiction writers, and she’s given me permission to reprint them here. I first encountered Emily through the International Women’s Writing Guild years ago, when they were holding their annual summer conferences at Skidmore College in Saratoga Springs, New York. I gained a lot from her five-day workshop, and I’m delighted to be back in touch with her. She gives workshops both live and online as well as mentoring individual fiction writers.

Reading Emily’s bio, I just learned that like me, she’s a graduate of Barnard.

Ten New Year’s Resolutions for Fiction Writers!

Forged in Fire: Creativity and the Writer’s Journey!

  1. When I begin a new piece, I write without thinking or planning.
  2. I welcome the unexpected in my writing.
  3. My best writing comes from my heart and the fire in my belly.
  4. I become my characters, they do not become me. I go where my characters take me.
  5. I love my first draft writing for its chaos, fertility, and uncovered gems.
  6. I do not think about being published until the piece is finished.
  7. I set up a writing schedule that supports, not defeats, my writing. I will not use failure to keep to my schedule as a reason to give up.
  8. I write the story that is gestating within me—even if it scares me or makes me think I am losing my mind.
  9. Writing is a craft. Craft supports writing, it does not define it.
  10. I am a fierce warrior for my writing and creativity!

Excellent advice for all writers, fiction or nonfiction. It’s especially applicable to “pantsers,” who write by the seat of their pants without outlines or preconceived ideas. Planners who like to know where they’re going before they embark on their creative journeys may find some of the ideas intimidating, even downright scary, but you can take what you need and leave the rest.

car-night-road

Personally, I’m a pantser. My novels are character-driven, and the plots evolve chapter by chapter. I like E.L. Doctorow’s quote: “Writing is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.” But I’m not gutsy enough to carry that method to the extreme. I prefer having at least a rudimentary map, though not a GPS; I don’t like taking directions from anyone else.

Of the ten resolutions above, I have the most trouble with #6: I do not think about being published until the piece is finished. For me, it’s impossible not to think about publishing; it’s the omnipresent elephant in the room. But when the writing is going well and I’m in a state of flow, I forget about publishing. It’s only in the before and after times, or when my inner critic kicks in, that publishing becomes an issue.

My favorite may be #7: I set up a writing schedule that supports, not defeats, my writing. I will not use failure to keep to my schedule as a reason to give up. Schedules are a major nemesis for me, one I’ll discuss in a future post. Even in retirement, with few fixed obligations, I have trouble maintaining a regular writing schedule, and that danged inner critic makes me miserable when I let distractions lure me away from my desk.

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Edvard Munch

Much of Emily’s coaching focuses on getting in touch with our shadow sides. Lately she’s been giving hour-long online workshops where students from throughout the country and abroad can participate free of charge. You can learn more about Emily Hanlon, her coaching and workshops, by visiting her website: www.thefictionwritersjourney.com.

What do you think of these ten resolutions? Which ones inspire you, and which ones scare you? I’d love to hear from you, so please leave comments. And subscribe to my blog by leaving your email address in the column to the right. Creatively speaking, I feel 2017 will be a great year, and I hope you’ll come along for the ride.

A new year, a new book project

At yesterday’s New Year’s service at church, we sat in a circle, passed around a talking stick, and shared our goals and resolutions for the year ahead. I announced two:

  • Work on creating a serene, organized home environment
  • Complete the presentation for my new book project on creativity, then find an agent and publisher
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Emerson Hall at FUUSA

The church in question is the First Unitarian Universalist Society of Albany, and our minister, Sam Trumbore, had chosen the topic “Begin again in love.” Usually we sit with the chairs arranged in conventional rows, and there’s less opportunity for individual participation, but this being New Year’s morning, Sam expected a smaller turnout. But there were several dozen of us, and we formed three concentric circles. As we passed the South American rain stick, many people chose not to speak, and others spoke of modest, everyday goals—spending more time with family or in nature, being more mindful of health concerns, learning more about social media or, conversely giving it up entirely.

Having come late to the service, as is unfortunately all too typical, I was the last in the row of the outermost circle, and impatiently awaited my turn to speak. When I did, I failed to mention the state of disarray my house is actually in, but I was more specific about my book project, announcing my working title and the fact that I’ve already registered it as a domain name. (I’ve blogged about the project before, but I’m still not ready to go officially public with the title, because I don’t want anyone stealing it. I figure the FUUSAns won’t remember.)

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John William Waterhouse

At 75, I sometimes wonder whether it’s overly ambitious to take on a major project like the book I have in mind. Granted, the goal I set is daunting, and realistically, I don’t know if I’ll manage to land a good agent and publisher within the next twelve months. But completing a nonfiction book proposal is well within my capabilities—I’ve done it three times before, although I abandoned all three projects before seriously seeking publication.

The first was a book based on my daughter’s first year of life. I’d done a project illustrating the minutiae of my daily life with her, I showed it in a SoHo gallery, and it was featured in New York magazine. An editor at a major publishing house saw the show, called me up, and I paid her a visit in her spectacular office high in a skyscraper with panoramic views of Manhattan. I’d brought my daughter along, and she peed on the editor’s couch. That wasn’t the reason I gave up on the project, but I’ll leave that story for another time, along with the reasons I abandoned my books on art therapy and gardening.

For now, let’s just say I’m confident in my ability to put together a book proposal. It draws right-brain-left-brainon the logical, left-brain side of my intellect, the side that won me my Phi Beta Kappa key at Barnard.* And as for being too old to take on a new project, I’m convinced I’m as sharp as I ever was. I could drop dead any day—far too many of my contemporaries are taking that trip—but in general, my health is disgustingly good. The only activity I’ve given up because of age is downhill skiing, and that’s primarily because I haven’t been working out regularly enough to maintain the strength in my legs, not to mention that snow conditions in the Northeast have been abominable for the past couple of years.**

But my major reason for embarking on an all-consuming project is that for my sanity’s sake, I know I have to. From past experience, I know that abandoning my dreams of creative achievement is likely to plunge me into a major depression, and that’s worth avoiding at all costs. When I hear my contemporaries rhapsodizing about their travels, their grandkids and their cats, I know those everyday pleasures and satisfactions, wonderful as they may be, will never be enough for me.

waterhouse-john-william_the_lady_of_shalott

What about you? Do you have any major new goals or resolutions for the New Year? I’d love to hear from you.

*My classmates at Barnard included Martha Stewart, Erika Jong and Twyla Tharp, but that’s another story too.

**In the back of my mind, there lurks the possibility that I may yet ski again. Many people ski into their 80’s and 90’s. Unfortunately, my old ski pants are a size or two too small, but when I told my husband I might buy a new pair, since they’re handy for snow shoveling, dog walking, and maybe a little cross-country skiing, he tried to dissuade me. Maybe I should try flannel-lined jeans, he said, or rain or wind pants. When I asked why not ski pants, he confessed that he was worried I might take to the slopes again. Hey, never say never.

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